Langston Hughes Good Morning Revolution

31 01 2012

Good morning Revolution:
You are the best friend
I ever had.
We gonna pal around together from now on.
Say, listen, Revolution:
You know the boss where I used to work,
The guy that gimme the air to cut expenses,
He wrote a long letter to the papers about you:
Said you was a trouble maker, a alien-enemy,
In other words a son-of-a-bitch.
He called up the police
And told’em to watch out for a guy
Named Revolution Read the rest of this entry »





Langston Hughes Let America be America Again

24 01 2012

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed–
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe. Read the rest of this entry »





Langston Hughes Too Blue

17 01 2012

I got those sad old weary blues.
I don’t know where to turn.
I don’t know where to go.
Nobody cares about you
When you sink so low.

(first stanza from poem)





Poet: Langston Hughes

10 01 2012

Langston Hughes (February 1, 1902 – May 22, 1967) was an American poet (among other things:  novelist, playwright, columnist, etc.) who’s known best for his  jazz poetry and work during the Harlem Renaissance.

From Poets.org:

Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties.

Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.








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